The infamous version from Englishtown '77 still stands out quite a bit. Seventies pick: Boston Music Hall, 6-9-76. 43. This version is one that could reasonably be called a consensus choice—almost everyone thinks it’s easily the best they played. This song was Garcia’s great contribution to late Seventies funk, and this colossal version has been the deserving winner of every poll on the subject. Nineties pick: Hamilton 4-22-90 (tight, great MIDI Jerry). This song/jam was only around for about two years, but what a glorious run it had! “Lost Sailor” is drifty and floaty, with a slightly odd structure (that works! From its introduction in the summer of 1984 until Brent’s demise in summer 1990, this relatively rare Traffic cover was a real crowd favorite. Each of the musicians brought in different influences and forged his individual style. Available on Dicks Pick’s Vol. This first-set version shows all its bludgeoning brute force (and sophistication), then dissolves into Garcia’s late-Eighties ballad tour de force, “Standing on the Moon”—which, truthfully, deserves to be on this list, too, so listen to both! Liberty. Eighties pick: Laguna Seca 7-29-88; a rare later version that includes the “reprise.”. 39. “Scarlet Begonias” > “Fire on the Mountain”May 8, 1977; Barton Hall, Cornell University, Ithaca, New York. Available onRoad Trips Vol. They brought it all together in a unique mélange that took them from the fire-breathing psychedelia of the late Sixties, to the Dead Americana of Workingman’s Dead and American Beauty, and far beyond. https://youtu.be/bbX8BsS0kfc Wow! Churning, sweetness, Phil bombs, space; it’s all here. This version of the suite is spectacular, and leads to a long jam where Billy Kreutzmann takes the “Let It Grow” pulse and drives it frenetically in jazzy directions, with Garcia’s wah-wah and Keith’s Rhodes sounding like electric Miles Davis. So far, so normal, but after around 15 minutes, the band backed off to create an on-the-spot opportunity for Lesh to deliver one of the most gloriously unkempt bass solos in the history of rock ‘n’ roll. Such are the cruel realities of list-making. Fantasy” in between the “na-nas.” Truly electric; Jerry goes off! I can't possibily pick out the best … For an Eighties pick, try April 23, 1983, at Veteran’s Coliseum in New Haven, Connecticut. It’s difficult to fathom why this lilting, bopping tune was only played during 1973 (and once in ’74), then dropped until 1992. The one on Live Dead (from 1-26-69) is the most famous (and also great! When this wonderful Weir funk number—introduced in 1979, less than a year after “Shakedown”— appeared as an opener, it promised a “long, long, crazy, crazy night!” and laid the groundwork for exactly that. 15. For me, and YMMV, 8/27/72 is the greatest version of Bird Song, along with being some of the best 10 minutes or so of GD history. Nearly every version is a blazing psychedelic swirl. Seventies pick: County Fairgrounds, Veneta, Oregon, 8-27-72. Dark Star. 14-13. Similarly there is general agreement on the Dead’s peak performance periods: 1968–1974, 1977, 1981–'82, 1988–'90; you’ll find a heavy concentration of Seventies performances here. In the Eighties, the trio of Jerry, Bobby and Brent always did a nice job on that vocal coda. Overall, my preference is for Brent-era versions, but there are many, many great ones from 1972 to 1979, and I have to concur with popular opinion that this one from the close of the Keith and Donna [Godchaux, singer] era smokes from beginning (“We used to play for acid/Now we play for Clive”) to the blistering ending jam. List of the best Grateful Dead songs, ranked by fans like you. What follows is a selection of the best live versions of 50 songs by the Grateful Dead (and a few cover tunes) spanning their history. Available on Road Trips Vol. It is a good example of what Dark Star can do, but is just in the wrong sequence of songs to really take off. 10. Introduced two days after “Victim” in 1988, this melodic Hunter-Garcia number (occasionally paired with “Victim”) provided a bouncy contrast, somewhat in the tradition of “Franklin’s Tower.” This version, as presented as a bonus track on the remastered Built to Last CD, is mixed so that every instrument is clear and loud—you can really feast on Weir’s imaginative rhythm lines and Brent’s synth washes. Yes, the Beatles-ish harmonies were a challenge, but the jams were varied and often tremendous. It combines a folk sensibility with its famous baroque-ish contrapuntal coda and crunching rock power. This long, strange trip of a list includes all of Grateful Dead… “Alligator” always led to a mesmerizing rare-for-the time double-drum duel between Mickey and Bill, and the jam after would usually build from a Jerry-plus-drummers noodle to a ferocious full-band boil before dropping eventually into the locomotive rhythm and big crescendos that lace together Pig’s visit to the mysterious Gypsy Woman in “Caution.”. We’re going with this 1970 version because of Jerry’s emotional vocal delivery and the snaky, all-too-rare, slide solo that leans heavily on the old country blues lament “Nobody’s Fault But Mine.”. 26. "Viola Lee Blues"November 10, 1967; Shrine Auditorium, Los Angeles, CA. Why live performances? This rightly revered version is, alas, cut near the end on the soundboard recording, but when it was officially released on Road Trips Vol. Wharf Rat was a regular part of Ryan's set for a while with the Cardinals, it's on a lot of the live shows that I have bootlegs of. Fittingly, the album is closed by a version of "So Many Roads" taken from the Dead's final show at Chicago's Soldier Field on July 9, 1995. Click on the show to go to the Live Music Archive and listen to the Althea mp3 stream. headyversion find the best versions of grateful dead songs please login or register. Grateful Dead are synonymous with the psychedelic subculture of the '60s and '70s, and are known for their epic-length live performances. Brent-era pick: Oakland 12-26-79 (major “clam” notwithstanding). Sequenced chronologically over the course of two discs, the 19-track set opens with a version of "St. Stephen" taken from their first live LP, 1969's Live/Dead, and proceeds through subsequent concert releases like Skull & Roses, Europe '72, and One from the Vault. Nineties pick: Nassau 3-29-90, with [saxophonist] Branford Marsalis. Even though this is another tune that was great in every period, only versions from ’73 and ’74 included the amazing, still-unnamed jam that would materialize after a few minutes after the final verse (and following Phil’s dependably monstrous bass solo), in which the group bopped through an intricate series of key and tempo changes, jazzy intricate unison lines that were miles away from the song, and then soared on the “Eyes” groove for several minutes. Scary & sublime 9/19/70 Fillmore East Best "Feelin' Groovy" Jam 11/8/70 Capitol Theatre Port Chester NY Into Main Ten>Dancin' The Deads finest hour 9/24/72 Goes into some sort of demented hoe-down & China/Rider 2/13/70 Fillmore East Another definitive version 11/11/73 Winterland Long, strange & definatley a trip 12/6/73 Cleveland Convention Center In tune with the cosmos And don’t miss the primal, acid-drenched version from the Carousel Ballroom 2-14-68, and for a “Caution” alone, Fillmore Auditorium 11-8-69. 14. The nice thing about Bird Song is that it shined throughout its career - … “Foolish Heart”July 19, 1989; Alpine Valley Music Theatre, East Troy, Wisconsin. Available on Road Trips Vol. This powerful and diverse triumvirate had three distinct incarnations: ’75–’77, ’83–’85, and ’89–’95, while the bouncy “Franklin’s Tower” also enjoyed solo spins during the in-between periods. At this show, it closes an incredible second set, with Garcia and company reducing the place to rubble with the ending buildup—the mark of a truly great “Dew.” A pre-hiatus version to check out is Winterland (San Francisco) 10-18-74. Discuss Grateful Dead lyrics and provide some for their most famous songs. This one comes out of a fantastic “Estimated Prophet” and quickly rolls up to cruising speed and becomes very powerful; and the post-song jam is a thing of beauty, with Weir on tasteful background slide for some of it, before it eases into “Drums” (featuring Brazilian jazzers Flora Purim and Airto). After all, hardcore Deadheads would argue that 50 versions of “Dark Star”—each different as can be—could be a list in itself. Available on Dave’s Picks Volume 15. It just won’t quit—until it drops down into a devastating “Death Don’t Have No Mercy.” Available on Two from the Vault. As Pigpen’s raps on this tend to be fairly similar one to the next, with a few notable exceptions (such as Princeton 4-17-71 with the famous “Brooklyn Bridge” rap), I tend to judge them by what the band does behind him. “Terrapin Station”September 3, 1977; Raceway Park, Englishtown, New Jersey. Torrent download: The highest rated live versions of the 50 most often rated Grateful Dead songs at headyversion.com. This one hits all its marks beautifully, including a nice “landing” after the jam. This is one of the most famous Grateful Dead shows that has yet to receive an official release, but it’s surely only a matter of time. It’s big, loping and jammed to the max between verses with everything from fast, intricate runs to powerful fanning to gentle guitar etchings. There are longer and spacier versions, but this has everything it needs. Everyone, including band members, will tell you that studio albums never quite captured the Dead’s mystical X-factor. https://youtu.be/bbX8BsS0kfc Wow! 16. One of my longtime favorite Eighties versions is from Oakland Stadium 7-24-87, found on View from the Vault IV. Nobody sounded quite like Garcia (often imitated, never duplicated), and the same could be said of Bob Weir, whose designation as a “rhythm guitarist” is hopelessly inadequate given the sophistication and depth of his playing. Nineties pick: Cal Expo 5-26-93—one of the band’s last truly great jams; the “reprise” comes later in the set. For an acoustic rendering closer to the Workingman’s Dead version, check out Harpur College 5-2-70. “Good Lovin’ ”January 2, 1972; Winterland Ballroom, San Francisco. 2. This song was great in all eras, always a highlight when it appeared. “Morning Dew”May 8, 1977; Barton Hall, Cornell University, Ithaca, NY. Available on the bonus disc of Road Trips Vol. Warner Bros. Records released the Dead’s debut album, The Grateful Dead – a sonically brittle, high-speed version of the group’s stage act and songbook – on March 17th, 1967. 33 versions. By ’72, “The Other One” had been cut loose completely from its original moorings, but it still careened across the Dead landscape as a compelling and constantly changing blast of trippy energy for the rest of the group’s career. With perfectly wry lyrics, the Dead’s only top 10 single was still a source of musical conversation when played live. direct download link. It was best in the early Eighties, once Brent solidified the harmonies that were often rough in the late Seventies, and Garcia took more time getting into and out of the song. “Help on the Way” > “Slipknot!” > “Franklin’s Tower”June 9, 1977; Winterland Ballroom, San Francisco. Nineties pick: Greensboro (North Carolina) Coliseum, 4-1-91. “Lost Sailor” > “Saint of Circumstance”October 10, 1982; Frost Amphitheatre, Stanford University, Palo Alto, California, These two Weir-written nuggets, which date back to the summer of ’79 and were paired until mid 1986, show two sides of Bob’s writing. “The Music Never Stopped”July 17, 1989; Alpine Valley Music Theatre, East Troy, Wisconsin. 29-28. Weir revived the song in earnest in 1977, and many fine versions of that more compact, but still energetic, showstopper abound. The jam in between the two songs is completely magical, quoting “China Cat,” dipping in to a “Dark Star”–ish space briefly, and flitting into all sorts of other interesting realms. Speedy and adventurous, this one has a searing middle jam and then a really long ride before the final vocal reprise—which doesn’t materialize! 3. 33-32. Year after year one of the most dependable tunes in the Dead’s second sets, Weir’s moody reggae number, with Garcia employing a wah-ish envelope filter, was played at most shows in ’77-’78 and was common for the rest of their history. Garcia at his best, ISN'T solo. It was my first show and I thought I was just playing favorites, but indeed it quite a wonderful version. “Friend Of The Devil” is, along with “Dire Wolf,” the Grateful Dead song that would have fit most comfortably on Harry Smith’s seminal Anthology Of American Folk Music. 4, a patch from an audience-made recording was added, and it’s still the best there is. Acclaimed reggae-rock group Roots of Creation is proud to release their acoustic version of the Grateful Dead’s “Standing on the Moon,” marking the song’s 30th anniversary.The accompanying music video features live liquid light artist Brain Davidson, giving the stripped down song a nod to its psychedelic roots. “Weather Report Suite”/“Let It Grow”August 4, 1974; Philadelphia Civic Center, Philadelphia, Pennsylvania. Dark Star. If spacey/strange is more your thing, look no further than this Seventies pick: Egypt 9-16-78 (no third verse or vocal coda, but jamming galore). A couple of final notes: The songs are listed in chronological order by performance date. Scarlet Begonias -> Fire On The Mountain. Along the way they built the most loyal fan base the music world had ever seen. 8. Headyversion has 10/21/78 as the best version of “Stella Blue”. It … 47. Created as a counterpart to their 2015 two-disc Best of the Grateful Dead studio collection, … BA1 1UA. The slinky, Pigpen-sung “Schoolgirl” gave the early Dead a chance to stretch out on an easy shuffling blues groove, with Garcia and Pig trading licks on guitar and harmonica, and Phil always dancing on top with what was already a formidable bass assault. 49. Discuss, vote on, and listen to the best versions of Grateful Dead songs . The interplay between Garcia (again with the envelope-wah) and Weir (who artfully employs a phase-pedal wah and octave divider in the middle of the jam) is deliciously rhythmic, and Brent adds much with his keyboards as well. First on Weir’s solo Ace album in 1972, but not played regularly until 1976, this is another one that fully matured in the Brent era, thanks to his solid duet vocals and the more variegated jam near the end. A great live version of Ripple is on the album Reckoning, which is taken from these concerts. Everyone, including band members, will tell you that studio albums never quite captured the Dead’s mystical X-factor. Available on Anthem of the Sun expanded edition. Nineties pick: Shoreline Amphitheatre, Mountain View, California; 6-16-90. [Godchaux keyboards]—but it has almost no Pigpen verbal riffing on it, so it’s not fair to choose it as the version. Written by: Grateful Dead and Robert Hunter The band’s definitive psychedelic jam epic, with wondrous versions in nearly every era it appeared. Grateful Dead - Loser Below you'll find a user-submitted list of the best Grateful Dead Loser. headyversion find the best versions of grateful dead songs please login or register. “China Cat Sunflower” > “I Know You Rider”June 26, 1974; Providence Civic Center, Providence, Rhode Island. “Cumberland Blues”September 27, 1972; Stanley Theatre, Jersey City, New Jersey. wallpaperman, Jan … The Big Kahuna of the entire Dead repertoire, utterly different from era to era, “Dark Star” evolved into the band’s most open and exploratory jamming tune, living up to its name night after night. Available on Dick’s Picks Vol. Click on the show to go to the Live Music Archive and listen to the Althea mp3 stream. This Motown nugget [originally released by Martha and the Vandellas] was still relatively new when the Dead started covering it in 1966. meltdown moments along the way; 32 minutes in all and truly epic! 31. headyversion find the best versions of grateful dead songs please login or register. Indeed, the events of that year seem to have both rekindled the ardor for the group’s music in many Deadheads who dropped off the psychedelic bus following Jerry Garcia’s death in the summer of 1995, and also brought in many new fans who never had a chance to see the band but are attracted by the Dead’s amazingly diverse and appealing songbook, and the colorful, upbeat, Sixties glow that will forever surround the group. “Cassidy”March 28, 1985; Nassau Coliseum, Uniondale, New York. When Garcia's at his very best, he's frantically trying to keep up with Phil Lesh and being altered and adjusted by what Bob Weir is doing. 37. “Wharf Rat”April 22, 1978; Nashville Municipal Auditorium, Tennessee. The ongoing success of the many Phil Lesh & Friends lineups and, more recently, Dead and Company, featuring newish Dead convert John Mayer (playing with Bob Weir and Grateful Dead drummers Bill Kreutzmann and Mickey Hart), show that the Dead’s legacy is very much intact and that the music is continuing to evolve. The individual musicians in the Grateful Dead were never poll winners in music magazines, yet you would be hard-pressed to find a rock group with a core so adept at playing so many different styles—and always in an improvisational context. 2 No. Future Publishing Limited Quay House, The Ambury, Pigpen and the band really kicked out the jams on this Otis Redding tune, an explosive element in so many Dead sets in 1969 and ’70. 34. headyversion ... we're on the search for the dankest versions of dead songs. It contains songs that were recorded live in concert and previously released on other Grateful Dead albums. Available on Dick’s Picks Vol. I believe it was played Saturday or … Though the single saw The Grateful Dead reach some wider audiences, Garcia was particularly let down by Warner Bros.’ cut of the single and called it “an atrocity”. From December ’86 on, “Saint” appeared alone; usually not quite as potent as it was with the then-departed “Sailor.” (Still, check out this excellent Hornsby-era solo “Saint” pick: Giants Stadium 6-17-91. What follows is a selection of the best live versions of 50 songs by the Grateful Dead (and a few cover tunes) spanning their history. Created as a counterpart to their 2015 two-disc Best of the Grateful Dead studio collection, The Best of the Grateful Dead Live includes highlights culled from the band's commercially released concert albums on the Warner Bros. and Arista labels as well as a handful of live selections from their own personal archives. 2. Garcia at his best, ISN'T solo. 3, and it’s hard to argue against its greatness. 25. So far, so normal, but after around 15 minutes, the band backed off to create an on-the-spot opportunity for Lesh to deliver one of the most gloriously unkempt bass solos in the history of rock ‘n’ roll. Strong late Brent-era version with hot extended jam (including MIDI flights) between tunes and solid “Rider.” Available on View from the Vault III. Eighties pick: “Let It Grow”: Alpine Valley 8-7-82. I love the relaxed-but-still intense vibe of Seventies “Eyes”; by the early Eighties the tempo had increased and the tune sometimes lacked that liquid-sunshine flow the song begs for. The Grateful Dead’s final show is, inevitably, a rough listen, mostly owing to Jerry Garcia’s audibly declining health – at this point he had just a month to live. Grateful Dead - Wikipedia, the free encyclopedia Grateful Dead … The “song” part was reliable over time; it’s what happened in the jam that followed that Deadheads lived for. 46. ’72-’74), this particular version has a perfect tempo, a top-notch lead vocal, Keith seemingly channeling country piano great Floyd Cramer throughout, a soulful stroll through the “Nothin’s gonna bring him back” coda, and then an extremely tasty melodic jam that’s as pretty as anything you’ll hear from this group. Here, it drifts evenly for a while, then picks up steam and rides high, before settling back down and eventually chiming into “The Other One.” Available on Red Rocks: 7/8/78. Recommend favorite versions of each song from different shows. 8. Of course there are, and so it is with nearly any tune you’d care to mention that is not here. Not as wildly explosive as some (8-19-89! Not too short, not too long, this one feels juuust right. 27. “He’s Gone”May 26, 1973; Kezar Stadium, San Francisco. “That’s It for the Other One”May 2, 1970; Harpur College, Binghamton, New York. Feelin' Groovy Jam. Because that’s where the magic happened with this band. If you’re looking for a song to play for non-Deadheads, go with this one. For a Nineties pick, let’s go with Giants Stadium 6-17-91, which really shows what pianist Bruce Hornsby brought to the mix in that era. I really love all the peppy [keyboardist] Brent Mydland–era “China-Riders,” too. “Stella Blue”October 21, 1978; Winterland Ballroom, San Francisco. So why not have “Sugar Magnolia” here? Available on Dick’s Picks Vol. It always built to a couple of nice peaks—the first instrumental and then the vocal coda (“Across the Rio Grande-o…”) and ending solo. ... hot songs . 5. From the Eighties, it’s hard to top Augusta, Maine 10-12-84. 30 versions. 45. At this show it comes out of 30-minute “Dark Star,” so it feels like it has a little extra juice and sparkle to it. The first hints come during a tremendously strange and ominous “Space,” then a long build-up (guitars and talking drum! “Hard to Handle”August 6, 1971; Hollywood Palladium, California. Or “Touch of Gray”? 5. I’ve probably listened to the 2-27-69 version immortalized on Live Dead, more than any other piece of music, so I am hopelessly biased about its greatness—the worlds it visits, its elastic rhythmic pulse, the riffs that were perfected this night, the overall flow of the thing. This is another winner from the dynamite Englishtown show. This version is the titan of them all! ), but consistently fine for more than 20 minutes. And this is easily Garcia’s best-ever vocal on the song. BITE launches fur-midable new custom bass, Sick Riffs: Vanny Tonon teaches you his innovative 'Hybrid Slap' technique. Choose a hot song below to get started on your heady journey. (Available on Sunshine Daydream). As was so often the case, the centerpiece of this show was the big jam in the second set, which kicked off with a beautiful “Dark Star”. ), a full-band jam around the main riff, and more than 13 minutes in, Phil leaps forward with the classic entrance. Created as a counterpart to their 2015 two-disc Best of the Grateful Dead studio collection, … If the link doesn't work (it seems to expire once in a while) … Grateful Dead - Deal Below you'll find a user-submitted list of the best Grateful Dead Deal. Eighties pick: Santa Fe 9-10-83 (“Slipknot!”). Available on Dick’s Picks Vol. 22. This very spacey extended version is unlike any other they ever played. Why live performances? Available on Dick’s Picks Vol. "Good Morning Little Schoolgirl"February 14, 1968; Carousel Ballroom, San Francisco, CA. Thank you for signing up to Guitar World. 4-3. Visit our corporate site. 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The Phil Zone compilation sources for each song part of Future plc, an international media Group and digital. With perfectly wry lyrics, the Ambury, Bath BA1 1UA rocker which... You that studio albums never quite captured the Dead version, check Harpur... Ambury, Bath BA1 1UA dissonance/weirdness ensues at around 30 minutes and hits some frightening ( but!!

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